Building a floating solution to ground level transportation

Chitin and grits is word play for humor. Chitlin is sausage and grits come from the garden. Chitin is from bugs but brings potential to raise the level of sustainability. Maybe this is only humorous in the south where the pronunciation is different. Science is better with humor.

Adding humor to the serious condition in necessity of building a ground level transportation solution provides a smidgen of practical relief. This blogpost is about reexamining Viktor Grebennikov’s discovery claim into the possibility of building a floating transportation device.

Viktor Grebennikov was a naturalist and professional entomologist. He was known for his discovery of the Cavity Structures Effect (CSE). This expertise gave him an interesting perspective, which led to his other discoveries; the focus of attention here. Society’s transportation emergency requires an immediate solution of finding efficient mythologies for transportation. Using an entomologist’s perspective in researching transportation is taking the fringe science legitimacy to the next level of absurdity when the doors of tradition and the pessimists’ acceptance are closed tight.

Psychokinesis

The psychokinetic aspect, having an impact to gravity, gives remarkable continuity to explaining why Peter was able to walk on water. Adding the component of Cavity Structures Effect (CSE) brings incredible possibility for insight to a new mode of short distance transportation.

In the realm of psychokinesis; here are a few questions.

One, this is in regards to when a person sees someone else yawn, it creates a sense of yearning to yawn. The question is: does yawning in front of a person who is blind, does the blind person react by having the yearning to yawn also. Here is another question regarding the reaction of a blind person. When someone smiles, other people react by smiling. Does a blind person also react with a smile?

The question then, is in relation to emotions. Are emotional reactions psychokinetic? And how much of emotions are psychokinetic?

This carries into prayer. What level of prayer is psychokinesis?  There is a growing cultural trend of popularity in ‘life coaching’. This trend is based on the psychokinesis of positive affirmations, or the repetition of self-affirming mantras. This form of psychokinesis provides a mindset similar to prayerful meditation.

How powerful, or how are these neural oscillations generated and received? The question can be put into terms of tracking the tone modulations of a cell phone. Human senses are unable to detect a phone’s electromagnetic signal of 800 – 2400 megahertz. That electromagnetic wave is about one foot in length. The distance of a single wave of light is approximately .00004 centimeters.

Brain waves are between 1 and 100 hertz (cycles per second). Audible sound ranges to the human ear are from roughly 20 hz to 20k hz. What prevents brain waves from being heard?

Is there a way to grow or develop a stronger psychokinetic power? There can be understanding of awareness, however, a wave is merely functionality or measurement of something that exists. This is comparable to prayer or using affirmation mantras. Any person can choose to ignore them or use them.

The focus of these blogposts are relevant to the development of advanced transportation, the philosophy of theology is a different topic. For this discussion, psychokinesis relates to an operational control mechanism. In a previous blogpost, this topic was regarding discoveries by Viktor Grebennikov.

Product development

What technology did Viktor Grebennikov discover? Cavity Structures Effect (CSE). From bug wings and egg cartons to levitation. In addition to discovering CSEs, he built a platform to stand on with a brace attached to his back and poles in the front to control movement. The platform to stand on was comprised of bug shells; chitin. The effect of movement, based on the CSE of bee hives and wasp nests. 

It seems appropriate to include the some of the original works to understand Viktor Grebennidov’s perception. Here is a list of experiment directions: FROM THE NOTEBOOK OF A NATURALIST:

   Artificial honeycomb --- Take a dozen and a half papier-mâché supermarket egg case (30-egg variety), tie them up or glue them together (one on top of another) in such a way as to join the "teeth" to one another rather than to the hollows.

   You will have large cells similar to the multi-cellular combs of a certain "paper" wasp but, much bigger. Affix the whole set of cells (they can be enclosed in a case) over the head of a person sitting in a chair with the bottom "comb" about 10-20 cm above the head. Let the person sit there for 10-15 min. The "unnatural", unusual transformation of the spatial shape formed by the set can be picked up even by the palm of your hand. Experiment with sprouting seeds, or breeding microorganisms and insects under the "macrocomb" and compare the results with those of identical experiments conducted at least 2 m away from the comb. Repeat each pair of experiments several times.

  Iron comb --- Test the impact of common kitchen shredders piled up one on top of another with their wire-edges down in a similar way, with the small hole shredders at the bottom and the large hole ones at the top.

   Paper Combs --- Cut apart 6 sheets of office paper lengthwise and fold each of them like a bellows so, that you get 10 edges and 20 planes on each. Squeeze the bellows so that the sheets are square now, rather then rectangular and glue them on top of one another, turning each consecutive sheet horizontally 30 degrees clockwise against the bottom one. Then glue together (preferably out of dark paper) a conical, multi-layered "flower" with a few dozen petals and fluff up the petals. Test the emanators by holding your palm above the "flower" and underneath the suspended bellows. Place the bellows and then the flower above the head of a sitting person and record his/her sensations.

   Plastic Foam --- We are used to the fact that this excellent thermal insulator "reflects" the warmth of the hand even at a distance. But, even if you cover it with dark paper, cardboard, or a tin plate, it will still do the same. This happens due to the work of multiple vesicular cavities of the material producing the CSE. Foam rubber. It is widely known that a person used to sleeping on let's say a cotton wool mattress doesn't sleep well at first on a rubber foam one, or else is unable to sleep at all. This is a typical manifestation of the CSE. The organism eventually adapts itself to this new bed.

   Mushroom CSE --- A hunter once told me that he warms his hands up in winter on bracket-fungi. Let us recall that the underside of this tree fungi is full of fine spore tubes. What the hunter felt was not warmth but, a typical CSE.

   Moving combs --- Make a wooden top and drill several holes about a pencil size through it.

   Their CSE field perception significantly increases when the top is spinning. This is easily perceived by the palm of the hand and it is due to the fact that the cavities must be numerically multiplying in space.

   Flower CSE --- An "unnatural" position of such a seemingly common and pleasant object as a living flower can also change its properties. Place a bunch of several dozen bell-shaped flowers (like tulips, primroses, lilies or bell-flowers) upside down above the head of a sitting person. Enclose the flowers in a plastic bag in order to prevent the impact of their smell. Write to me about your results.

   Wind-fallen trees: One of my test subjects, a geographer, told me about experiencing the effect of one of my "grids". He said that he once had a similar sensation many years ago, when he was passing a wind-fallen section of a forest. His head, ears, mouth and the entire body felt something particularly unpleasant and it had felt the same as what he felt under my grid. This means that the abruptly disrupted shape of the normal multi-cavity space of the forest emanated CSE waves for some time, which were unpleasant to humans.

   Before the rain: Run cold water through the shower and slowly move your hand toward the stream of the droplets from the side. Most people feel "warmth" from the shower. In reality, this is the CSE reinforced by the motion of ever new elements of the "multi-layered" grid of water drops and gaps between them. After practicing in the bathroom, try to pick up an even stronger CSE from fountains and waterfalls. A shroud of a distant rainfall creates a powerful CSE field, which has its impact on a large area, even when the atmospheric pressure is high at your location. Have you ever felt sleepy before the rain? Even in enclosed premises? The CSE cannot be screened off.

   Book CSE --- Take a thick, preferably well-read book and stand it upright on the edge of a desk with its back facing the direction of the sun (north at night). Open the book and fluff up its pages as evenly as possible. You should be able to pick up some of the sensations mentioned in this chapter with your palm, tongue, or back of your head in a few minutes (the CSE does not appear immediately and it doesn't disappear immediately either). This "stream" can be picked up at a 2-3 meters' distance after some practice. It is also easy to verify that the "book CSE" is also non-screenable. You can ask someone to stand between your hand and the book.

   Large Cones with an artificial comb filling and three magnets at the back --- Two similar cones were positioned against each other with respect to the sun, one in Isilkul and the other one near Novosibirsk. They were thrown appart and demolished on the moring of April 23, 1991. The one in Novosibirsk was unfolded and pressed into the wall of an underground hiding place and its magnets disappeared. Some residents of an Omsk apartment experienced a series of strangest "poltergeists" (see Vechernii Omsk from April 26. and Omsk and Moscow TV broadcasts) at the same moment. The same paper called the device in the picture "Grebenikov's hyperboloid on August 5, 1991. exactly because of this "coincidence". One of the "beams" of the upright electronic waves between the two conical structures may have actually been formed precisely there, on the river Irtysh embankment in Omsk.

   Medium Cones --- Insert a dozen plastic household funnels tightly into each other and fix the structure on any support with the nozzles turned toward the sun. Cover the bell end of the top funnel with a net or light blue cloth (so that the tested subjects do not anticipate heat).

   Small Cone --- Roll up tightly two unusable rolls of film. Tie them up with a string and press a bell-shaped cavity in the middle of the top roll. CSE emanations can be easily picked up by the palm of your hand, particularly in the counter-solar position. You will get interesting sensations if you press this "micro-cone" to your forehead.

Victor Grebennikov is known to many as the discoverer of the Cavity Structures Effect (CSE). But very few people are familiar with his other discovery, the one that also borrows from Nature and its innermost secrets. He discovered antigravitational effects of the chitin shell of certain insects in 1988. The most impressive incidental phenomenon discovered was a partial invisibility and/or of distorted perception of material objects entering the zone of compensated gravity. Based on this discovery, he used bionic principles to design and build an anti-gravitational platform for hovering flights at the speeds of up to 25 km/min. This CSE has a physical reaction. Inasmuch as this CSE field has an effect on biological entities and a gravitational influence, so do crystallization patterns have an electromagnetic effect on electronics.

As an example, to how Viktor discovered the impact of CSE fields, here is his explanation:  An old wasp nest works quite differently, even though the size and shape of its cells is very close to those of the honey bees. The important difference between the two is that the wasp honeycomb material, unlike that of honey bee wax, is more crumbly and micro porous. It is paper like. (By the way, it's wasps, who invented paper, rather than people. Wasps scrape old wood fiber, mix it with their sticky saliva and let it dry out.) Walls of the wasp honeycomb are much thinner than those of bees and their cell size and pattern is also different. The nest itself is like a multi-layered, loosely wrapped paper outer shell. I've had reports of highly unpleasant effects of a few wasp nests in an attic. Besides that, most multiple cell devices and objects with a manifested CSE field have a far from beneficial effect on humans in the first few minutes. Honey bee combs are a rare exception. I have often observed the bumblebees living in our Isilkul flat in the 1960s. A young bumble bee did not take the trouble to remember the entrance to the hive and it would spend hours wandering around the windows of our house and of a similar looking house nearby on its first trip out of the hive. It would give up on its poor visual memory in the evening and it would land on the brick wall precisely outside the hive and it would try to break right through the wall. Now, how did the insect know that its home nest was right there, four meters away from the entrance to the attic and a meter and a half below, behind the thick, half meter wall? I was lost at the time in conjectures but now I know exactly why the bumble bee behaved in that manner. It is an amazing find, wouldn't you agree? Now let us remember the experiment in which hunter wasps returned not only to a given location but, even to an entirely different location to where the lump of soil with their nest had been moved. I do not doubt that they were able to find it because of the wave emitter created by their nest cavities.

   There was yet another mystery to be revealed to me by my insect friends. It has turned out that flowers also use similar powerful and unstoppable wave emitter besides their color, odor and nectar in order to attract their pollinators. I have discovered it with a drawing charcoal, a burnt twig by passing it over large, bell-shaped flowers (tulips, lilies, amaryllises, mallows or pumpkins). I could feel "braking" of this detector already at quite a distance from the flower. I have learned to find a flower in a dark room standing one or two meters away from it with this detector but, only if it had not been moved. If it were moved, i would detect a "false target", the "ghost" field left in its old location, the residual "phantom" I have already mentioned. I do not possess any super sensory abilities, and any person would be able to do the same after some training. One could use a 10 cm long piece of a yellow sorghum stem instead of a charcoal rod, or a short pencil whose rear end should be facing the flower. Some people would be able to feel the flower (a "warm", "cold", or "shivering" sensation emanating from it) with their bare hands, tongues, or even faces. As many experiments demonstrated, children and adolescents are particularly sensitive to these waves of matter.

   When it comes to the bees, which nest underground, their "knowledge" of the CSE is vital to them. First of all, it enables the builder of a new gallery to stay away from the neighboring nests. Otherwise, the entire bee city all cut through with intersecting holes would simply collapse. Secondly, plant roots cannot be allowed to grow down into the galleries and honeycombs and indeed the roots stop growing any further a few centimeters away from the honeycomb of tunnels and chambers and start growing aside, feeling that nests are near.

The flying platform

   But I have no wings. I stand suspended in the air supported in my flight by a little flat, rectangular platform, which is slightly bigger than the seat of a chair. It has a pole with two handles onto which I hold and with whose help I navigate this device. Is this some science fiction? I wouldn't say so. The interrupted manuscript of this book had lied abandoned for two whole years because our generous, ancient nature had given me another something and again through my insect friends. As usual, it did it elegantly and inconspicuously, yet swiftly and convincingly. The thrill of discovery would not let go of me for two years, even though it seemed to me that I was mastering it at a break-neck speed. But it always happens this way. When your work is new and interesting, the time flies by at double its normal speed. The eye of the lake is already much closer. I can clearly see the highway beyond by now and the match boxes have grown wheels on them. The highway is about 8km away from the railway running parallel to it and if I look closer, I can see the power line poles on the light gray moat of the railway. It is time to turn some 20 degrees to the left. I can't be seen from the ground and not just because of the distance. I cast almost no shadow even in a very low flight. Yet, as I found out later, people sometimes see something where I am in the sky. I appear to them either as a light sphere, a disk, or something like a slanted cloud with sharp edges, which moves strangely according to them, not exactly the way a real cloud would. One person has observed a "flat, non-transparent square, about one hectare in size". Could it have been the optically enlarged little platform of my device? Most people see nothing at all though and I am quite pleased with it for the time being. I can't be too careful! Besides, I still haven't determined what my visibility or invisibility depended on. I must confess that I consciously avoid people when in flight and that I, for this very purpose, bypass all cities and towns and try to pass even the cross roads and footpaths at increased speed after making sure there is no one there.

… Real flying is not so much pleasure as it is work, sometimes very hard and dangerous at that. One has to stand, not hover, with both hands always busy. There is a borderline a few centimeters away separating "this" space from "that" on the outside. The border is invisible but quite treacherous. My contraption is still rather clumsy and resembles perhaps a hospital scale. But this is only the beginning! By the way, besides the camera, I have experiernced sometimes trouble with my watch and possibly also with the calendar. While descending onto a familiar glade, I would occasionally find it slightly "out of season", with about a two-week deviation but, I had nothing to check it against. Thus, it may be possible to fly not just in space but also, or so it seems, in time. I cannot make the latter claim with a 100% guarantee, except perhaps that in flight, particularly at its beginning, a watch runs eratically, now too slow and then too fast. But, the watch is at its accurate time and speed at the end of the excursions.

   Nevertheless, this is one of the reasons why I stay away from people during my journeys. If time manipulation is involved alongside the manipulation of gravitation, I might, perhaps, accidentally disrupt cause-and-effect of relations and someone might get hurt. This is where my fears were coming from. Insects captured "there" disappear from my test tubes, boxes and other receptacles. They disappear mostly without a trace. Once I had a test tube crushed to tiny bits in my pocket, another time there was an oval hole in the tube glass with brown, as though chitin colored edges as you can see in the picture [above]. I did feel a kind of burning or an electric shock inside my pocket on many occasions, perhaps at the moment of my prisoner's disappearance. I found the captured insect in my test tube only once, but it wasn't the adult ichneumon with white rings on its feelers, but its chrysalis, i.e. its earlier stage. It was alive and it moved its belly when touched but, much to my dismay, it has died a week later.

   How and why did I make this discovery? I was examining the chitin shells of insects under my microscope in the summer of 1988 along with their pinnate antennae, the fish-scale microstructure of butterfly wings, iridescent colors, and other inventions of nature. I became interested in an amazingly rhythmical microstructure of one large insect detail. It was an extremely well-ordered composition, as though stamped out by factory equipment according to special blueprints and calculations. As I saw it, the intricate sponginess was clearly unnecessary either for the strength of the part, or for its decoration. I have never observed anything like this unusual micro-ornament either in nature, in technology, or in art. Because its structure is three-dimensional, I have been unable to capture it in a drawing so far, or a photograph. Why does an insect need it? Besides, other than in flight, this structure at the bottom of the wing case is always hidden from the eye. No one would ever see it properly. Was it perhaps the wave emitter using "my" multiple cavity structures effect? That truly lucky summer, there were very many insects of this species and I would capture them at night. I was not able to observe these insects neither before, nor later.

   I placed the small, concave chitin plate on the microscope stage in order to again examine its strangely star-shaped cells under strong magnification. I again admired this masterpiece jewelwork of nature. I was about to place a second identical plate with the same unusual cell structure on its underside almost purposelesly on top of the first one. But then!

   The little plate came loose from my tweezers, hung suspended above the other plate on the microscope stage for a few seconds, then turned a few degrees clockwise and slid to the right, then turned counterclockwise and swung and only then it abruptly fell on the desk.

   You can imagine what I felt at that moment. When I came to my senses, I tied a few panels together with a wire and it wasn't an easy thing to do. I succeeded only when I positioned them vertically. What I got was a multi-layered chitin block and I placed it on the desk. Even a relatively large object, such as a thumbtack, would not fall on it. Something pushed it up and aside. When I attached the tack on top of the "block", I witnessed incredible, impossible things. The tack would dissapear from sight for a few moments. That was when I have realized that this was no "beacon," but something entirely different.

   And I became again so excited that all the objects around me became foggy and shaky. I managed to pull myself together with huge effort in a couple of hours and I continued working.

   This is how it all started. Of course, much still remains to be understood, verified, and tested. I will certainly tell my readers about the finer details of my machine, about its propulsion principles, about distances, heights, speeds, equipment and all the rest but, in my next book.

These quotes of Viktor Grebennikov’s writings have been included to provide the most accurate insight to his perspective. This discovery provides possibility towards efficient short distance floatation transportation.